G r e g o r y L a w r e n c e P a r m e r t o n |
Born on the autumnal equinox of 1959
to Velma & John Parmerton Jr.
Long Island, New York has been home (on and off) for 58 years.
Current and past professions:
Visual Merchandising Designer for
Displays Unlimited, NY
since 1968 - 2018
Chief Entertainment Officer of
Music For Dancing since 1994
Social Dance Instructor for Left Feet Made Right
since 1994
Lead Explosives Technician of Movie Gun Services
since 2000-2016
Education:
"The Street " above all else.
Being smart on the streets of NYC is an essential to living here.
Training with the Philadelphia Orchestra At Saratoga Arts Festival with
Mr. Glenn Dodson, principal trombonist.
Training at Julliard School with Mr. Edward Herman, principal trombonist
New York Philaharmonic Orchestra.
Training with Mr. Charles Vernon, bass trombonist of the Chicago
Symphony Orchestra.
Training with jazz legends
Frank Rosolino and
Bill Watrous
with ITF
Brevard College, NC - Music Education with
Dr. John Upchurch and
Dr. Thomas
Beversdorf (Jacobs School of Music, Indiana)
Suffolk County Community College, NY - Criminal Law
Certified
Cerakote Applicator by Northwest Industrial Coatings/Cerakote factory
Fashion Institute of Technology, NYC - Visual Merchandising
Farnum Defensive Training- Advanced Pistolcraft
NROI -Chief Range Officer (1987)
Peter DiFalco - Social American Ballroom Teacher Training
Skippy Blair - GSTDA Certified Instructor
"Every minute of life is an education, if you see the opportunity to learn."
Most Treasured Possession:
Life: sharing time with my friends, family and the time I spent with Harry (my cat)
To be written on my Tombstone:
"Why are you looking at this rock? go out and celebrate life"
Quote Me:
"Hamanabaybalabebalasap"
stolen from song "I ain't got nobody"
by Louie Prima
"Happiness
begins with facing life with a smile and a wink"
Lucky Numbers 6, 19, 40, 21, 38, 42
"A wink is as good as a nod to a blind
man"
from Monty Python
Inducted into the
Swing DJ Hall of Fame
in 2006
Past President of the
National Association of R&B
DJ's
Member of the
American Disc Jockey Association
Member of the
American Ballroom DJ
Association
Member of the
Tangueros DJ
Association
Member of the Dj Latinos grupo
Original Owner of the
AllSwing_Dj group (2000-2008)
Certified
G.S.D.T.A.
instructor
Performing at National Events in 2010:
DanceFun Panama 10 Day Cruise
Hudson Swing Affair
Performing at National Events in
2009:
Hudson Swing Affair
Fandango De Tango , Austin
Texas
Performed at National Events in
2008:
Hudson Swing Affair
Fandango De Tango , Austin
Texas
Performed at National Events in
2007:
Tampa Bay Classic
Performed at National Swing Events in
2006:
Liberty Swing Championships
Michigan Dance Classic
Nashville Classic
Dance Championships
Performed at Public Dance Events in NYC 1994 - 2009:
Dance Manhattan
Contract breech 2009
Dance, NY Ballroom
Closed 2009
"My life has been blessed with a love of music and the ability to
share it".
My first life with music began as a professional jazz and classical
trombonist/arranger/composer.
I garnered an appreciation of popular music at the age of 17 (1976) and
began actively collecting it, mixing it and sharing it.
Moving from the stage to the floor in 1990, I started my education in the art of social
ballroom dancing.
WCS was just starting to expand in NYC in 1992 with the American Swing
Dance Championships
in the Pennsylvania Hotel and the legendary North River Bar was fueling
the local appetite.
With the encouragement of music mentor John Festa, I decided to give swing DJ'ing a try.
John handed me a paper with the 3 rules for acceptable West Coast Swing
Music: "Saxophones; Stripper Music; Female Black Vocalists".
In 1995 I started my first series of public swing dance events called "rhytmn
in the night" and coined the term "California mix".
(yes, I spelled Rhythm wrong! and
still have a copy of the flyer to prove both
claims)
These were mixed dances with a strong emphasis on WCS music with Country
2 step, Niteclub 2 Step, Cha-Cha, Salsa, Hustle and small smattering of
smoothies and a waltz mixed in.
This type of dance mix was being played at the mecca of West Coast Swing
dance, the Press Box in Westminster Lanes (OC, C.A.) by Kenny Wetzel at
that time.
In 1995 Music For Dancing Entertainment Services was registered,
licensed and insured in NY.
Music For Dancing logo
Published 04-09-2002 PTMO as a registered trademark. (After seeing the
courts stripping the Washington Redskins trademark, I realized it was
worthless.)
I have DJ'ed paid swing events in:
Boston, NYC, Washington D.C., Gatlinburg, Atlanta, Jersey City, Atlantic City, Nashville, Chicago, Austin,
Dallas, Galveston,
Detroit, Denver, Los Angeles, Miami, New Orleans, Tampa, Port Canaveral,
Key West, Fort
Lauderdale and
onboard.
I have DJ/MC'ed over 2650 entertainment events since 1994.
Artistic "consultation" to "Swingin' the Blues" cd series 1-3
Former Co-event director "Summer Swing Jam" in Atlanta (4 day WSDC event) 2001 & 2002
Past president of the National Association of Rhythm & Blues Dj's (NARBDJ).
Founded All Swing DJ group in 2000
Inducted into the Swing Dj Hall of Fame in 2006.
I
have been honored to be the entertainment provider for these wonderful
DanceFun cruises and adventures
Sydney, Melbourne, Hobart (Australia) Dunedin, Tauranga, Christchurch,
Auckland (New Zealand)
Half Moon Cay (Bahamas), Oranjestad (Aruba), Willemstad (Curacao),
Cristobal (Panama), Puerto Limon (Costa Rica)
Santos, Rio de Janeiro, Portobelo (Brazil), Buenos Aires (Argentina),
Punta De Este (Uraguay)
Galveston (Texas), Roatan (Honduras), Belize City (Belize), Cozumel
(Mexico)
Cococay (Bahamas), Charlotte Amalie (St. Thomas), Philipsburg (St.
Maarten)
Galveston (Texas), Cozumel (Mexico), George Town (Grand Cayman Island),
Falmouth (Jamacia)
New Orleans (Louisiana), Falmouth (Jamacia), George Town (Grand Cayman
Island), Cozumel (Mexico)
Venice (Italy), Athens (Greece), Ephesus (Turkey), Istanbul (Turkey),
Mykonos (Greece), Naples (Italy), Rome (Italy), Florence (Italy),
Provence (France), Barcelona (Spain)
Long Beach (California), Cabo San Lucas (Mexico), Puerto Vallarta
(Mexico)
Vancouver (Canada), Juneau, Ketchikan, Skagway (Alaska)
Civitavecchia (Italy), Messina (Sicily), Kusadasi (Turkey), Rhodes
(Greece), Santorini (Greece), Piraeus (Greece)
Greg Parmerton
Create Your Badge
There are about 100 veteran Swing deejays across America who make an absolute "art" of finding and playing the best dance music for Swing conventions. They belong to deejay discussion groups, they meet regularly at Swing events and they usually have more than 10,000 songs loaded onto their laptops. The VERY BEST of these deejays are hired by event directors to select the music for Competitions and Social Dancing at the Major dance conventions across America. It's time we get into their heads.
Deejays have a tough job. Dancers at Swing events have a wide range of music and dance tastes. Some like old-fashioned Blues. Some prefer R & B. Others like a little Funky Hip-Hop edge to the music. Still others want to hear a mainstream Contemporary Pop sound. Clearly, it's hard to please everyone's tastes.
We sat down with Greg Parmerton, Director of the "All Swing Deejays Group", to discuss the state of Swing deejay music being played at Swing conventions across America today so we could get some insights into how deejays select music for Social Dancing and Competitions. Greg's invitation-only professional group is comprised of ardent deejays who consider the collecting of great Swing music their passion and avocation. Each month they share their top song picks among the group and compare notes on music trends around the country. Here are his comments...
USASN:
What's the most popular style of Swing music being played at
dance conventions around the country these days - Pop, R&B,
Hip-Hop, Contemporary?
(I have
never appreciated the term "contemporary" as it is too
vague. Contemporary is a timeframe, not a style.)
USASN:
Are there different music preferences in different regions
of the country? The fine dancers from Houston have been pushing the bpm envelope lower and lower into what was known as "buckle polisher" or "belly rubber" tempos. Chicago still has a strong Stepper music scene. The Shag states seem to have a Traditional vs New music issue brewing for the past few years. Lindy is still big in Boston, NYC, LA, and San Francisco.
USASN:
What makes a good Swing song?
USASN:
What popular song styles seem to be preferred by dancers at
recent Swing dance events?
USASN:
Why do you deejay?
USASN:
In what direction does Swing music preference by Social
dancers seem to be
trending
over the past 5 years - Blues, Pop, Hip-Hop, R&B, other? GP: Away from anything that does swing, as evidenced by the next two questions.
USASN: Name several artists over the past few years whose music heard on the radio is especially popular at Swing events.
GP:
1. Timbaland - Way I Are 2. Justin Timberlake - Sexy Back 3. Ne-Yo - Can We Chill? 4. Snoop Dogg - Sensual Seduction 5. Miley Cyrus - Let’s Dance 6. Flo Rida - Low 7. Maroon 5 - Makes Me Wonder 8. Britney Spears - Gimme More 9. Justin Timberlake - Lovestoned
USASN:
Name 5 songs that broke over the past few months that are
really hot
right now for Social dancing at Swing events. 2. Pocket Full of Sunshine - Natasha Bedingfield
3. Elevator -
Flo Rida
USASN: Pick 10 songs that you'd consider all-time classics for Social Dancing.
GP:
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Notice
that the "popular" and "hot right now" at swing events
listings are not played anymore? |